Fujifilm X100v Camera Review
The Fujifilm X100V is a high quality compact camera with unique genetic code – it’s the fifth addition to the family that started far back from the original X100 in 2011, motivated by 1950s film cameras for its design
The range overtime has been contemplated for camera royalty. Reasons? It boils down to a varied factors: unique hybrid viewfinder, large APS-C sensor, its stylish, pocketable form factor, and a fixed 23mm f/2 lens. The combination of this 4 factor make the X100 production a well-deserved, favored choice among travel and street snappers.
It’s a heritage that the Fujifilm X100V is in continuation, however with a little notable new spin. The X100V introduces the latest tilting touchscreen (a first for the production) and a restructured lens. There are huge transformation inside too, with an upgraded autofocus system, a new 26.1MP APS-C X Trans CMOS 4 sensor, and the possibility to shoot 4K/30p video.
But will that be sufficient to make the X100V as favored as its antecedent? And is one truly necessary when smartphone cameras are equally good? Yes to both questions so far you are aware of what you are letting yourself in for…
Fujifilm X100V release date and price
- The Fujifilm X100V is a bit expensive
- It’s produced in Black and Silver model.
- Some sellers are selling it with an elective ‘Weather Resistance’ kit
The Fujifilm X100V has two model, Black and silver. Both having same price that is almost the cost the X100F originally was sold in 2017, when adjusted for inflation.
Some sellers are selling the X100V with a ‘Weather Resistance’ kit that has an AR-X 100 adapter ring and PRF-49 guide filter. The X100V’s frame is weather-secured, these additions make it totally invulnerable to harsh weather.
This ‘Weather protection’ kit costs is affordable, though Fujifilm UK mentioned the kit will sold lower when bought with the camera.
The X100V picture perfect look is the same as been held physically– it’s costly, but have a superior feel. Actually, it only has little competitors when it comes to look, except minimalist rangefinders e.g. the Leica Monochrom M.
As a newbie to photography, it may seem a bit frightening, with its uncommon ISO-shutter speed dial and lavish helping of buttons. One of The X100V’s unique attractiveness is the artistic elasticity it offers you in a petite type factor. It can be used as a point-and-shoot, however, that can be compared with purchasing a Gibson Les Paul to only play power chords.
The huge factor about the X100V is that it includes important physical attributes without affecting its looks or size. The major instance of this is its sloppy touchscreen. This balance well to the camera’s back that can be easily missed that you can drag it upwards by 90 degrees and down like 30 degrees.
This is very functional for road photography, enabling you to take a picture from the hip or over your head to get positions that were impossible on preceding X100 cameras or smartphones. A slopping screen can result in feeling a little anxious about its longevity when dropped into a back sac, however, this worrying incidents were not encountered by us.
A little more isolating is Fujifilm’s resolution to eliminate the D-pad on the X100V. On its forerunner, these buttons seems as important physical byway to act like film duplicate or the AF mode. The fact that they can be used while looking through the viewfinder is what compels them to be handy
The X100V assist Fujifilm’s touchscreen signals – that enables one to swipe in one of four controls to show menus – However, this cannot be done while wearing gloves. Yet, the ‘Q’ button still makes up to a level, and more individualized partiality than any near to a deal-breaker.
Holding it, the X100V feels like the Fujifilm X-A7 which is more affordable, based on its weight and size. The major distinctiveness is that the latter uses exchangeable lenses and does not have a viewfinder. The X-A7 definitely gives more value and is better for beginners. However, its plastic construct needs the superior feel of X100V, which utilizes aluminum plates that are developed within a magnesium alloy frame. It’s a beautiful device that you’ll really love to be shooting with.
A last design resolution that’s necessary to mention is the latest ISO ring around the shutter speed dial – for now, it stays in a spot when you raise it, instead of returning back into place just like Fujifilm X-Pro3. Though a small issue, but turns it more uncomplicated if you love taking pictures always in full manual mode.
- The X100V merges a new 26.1MP sensor with the newest X-Processor 4
- Its EVF recently has an increased 3.69 million-dot resolution
- The video energy has been jerked up from 1080p to 4K/30p
The X100V’s two largest shooting development over its X100F predecessor are its remodeled 23mm f/2 lens and snappier automatic focus, which is as a result of the new X-Processor 4.
The lens has focal range similarities and aperture to the X100F, but Fujifilm claims this model has two aspherical component (instead of one). In theory, this allows resolution improvement and distortion reduction.
How about in practice? Although an X100F is no available to measure it with, the X100V definitely gives increased sharpness in its images center, even if you shoot open wide. One major grievance with the X100F was because its photos is liable to be a touch soft during shooting at f/2, especially if you are nearer to your subject. This sometimes mean downgrading to f/2.8 or f/4.
But the exciting news on the X100V is that snapping wide open seems like a bargain. The lowest focusing gap remains 10cm, but there is more confidence about setting it to f/2 to attain some nice insubstantial depth of field.
This elasticity is encouraged by the powerful autofocus accomplishment. It was tested alongside with a Fujifilm X-T3 fronted by a 23mm f/2 lens, and definitely not up to the combination level – the X100V was obviously more passive and louder, especially in low light circumstances.
The contrast wasn’t much, though, and the X100V hardly pass over focus or led to missed shots. The Face/Eye recognition is reliable and assertive when snapping people, during tracking autofocus style it doggedly accompanies objects if you snap it into continuous AF making use of the side switch.
For a pocket friendly camera with an f/2 lens, autofocus result is totally quiet good. And though the X100V is obviously not a sports camera, there is good and increased performance to assist you getting important moments. Using an SDHC UHS-II card with 250MB/s speeds we were to an extant able to get the said 11fps maximum burst rate (around 10fps), with the buffer increasing after like 40 JPEGs and 20 Raws
Another huge feasible development on the X100V is weather-sealing. Though it’s not total weather-sealing, due to the fact that the lens goes in and out by a little millimeters to center, making this camera aspect unable to seal fully. However, other part of the body is weather-sealed and some sellers are presenting the camera with a weather-protection kit that has an AR-X100 adaptor ring and PRF-49 filter.
We were definitely confident taking it out during small rain unaccompanied by its accessories, however, the included lens cap was kept close to hand.
Two other unimportant, but still much accepted, development over the X100F are the X100V’s battery life and viewfinder. Just with the Fujifilm X-Pro3, this device has a compound viewfinder – that is it can be use as a contemporary EVF or, with the front having a flick of the switch, a more traditional optical viewfinder.
In the two system you get exposure data revealed around your view edges that may be switched on or off making use of the ‘disp/back’ button. Though there have been an upgrade to the optical viewfinder mode (an increased 0.52x amplification), the electronic viewfinder so much inspires – it’s edged, 3.69 million-dot resolution and 0.66x amplification is great for such sized camera. Especially when some competitors, e.g. the Ricoh GR III, does not have a viewfinder.
Finally, the X100V’s battery duration got an increase over its antecedents. The industry level CIPA rating, that is normally a small conservative gauge, is 350 shots per charge, up 270 on the X100F. In reality, this equals to nearly five hours of almost fierce street shooting during our trial. This connotes its worthy to have a spare battery (it accepts the Fujifilm NP-W126S) or an outer power delivery charger, which can boost X100V directly via the USB-C port. If a long day of shooting is planned, it may be valuable having both.
Image and video quality
- Image quality is outstanding, with lots of attribute and practical colors
- Noise is properly managed up to almost huge sensitivities like ISO 6400
- Strong Video skills however the deficient of stabilization makes a tripod necessary
The X100V has Fujifilm’s most recent 26.1MP X-Trans IV APS-C sensor, that is identical as in the X-Pro3 and X-T4 – and it generates same superb results.
One advantage of Fujifilm has always been its out-of-camera JPEGs quality and it has same similarities with the X100V – shots possessing good, precise color performance and dependable exposure. You still have access to total ‘Film Simulations’ array, which imitates the look of the company’s analogue films range.
They include the new ‘Classic Neg’, that has a punchy, traditional look that behaves very well when snapping metallic objects, and the assemble in totality makes a good beginning for individuals who want to give their photos an additional dash of atmosphere with not engaging in much after processing . We mostly snap with the X100V in ‘Fine + Raw’ mode, this gives the choice of recreating with with JPEG ‘Film simulations’ and still having the decompressed Raw as a support.
These Raw files also reveal that the X100V’s rendition at elevated ISO sensitivities is encouraging. Shots are good and clear all up to ISO 3200, where good detail are still had and unique scale. Even shots at ISO 6400 and ISO 12800 are definitely utilizable, in spite of a steady rise in color noise that is you have a great protection net in low-light circumstances.
The X100V, however, is a type of cameras where separating image quality from the shooting experience in its whole doesn’t make sense. This is due to the fact that the shots taken are knowledgeable by its rigid focal length because they are the sensor processing and quality. If you never purchased an X100 series camera prior to, it’s necessary to ensure you’re contended with shooting for a long periods with just a 23mm focal length – we in love with the inspired creativity, but sometimes it may be perceived as neither broad enough nor compact enough for particular scenes.
That sorted, the sloping screen makes a big distinction to the photo types you can take which is a huge advantage – a big part of the shots taken may not have been feasible on former X100 cameras, and it’s especially useful for from the hip shooting.
The X100V is not a clear pick for a video camera, but does it succeed well with moving pictures? Well, it has a good capacity for video, in terms of features and quality, even though this is counteracted by several unavoidable practical constraints
On the positive angle, you get 4K/30p recording (although with a limit recording period of ten minutes per clip) and Fujifilm’s beautiful Eterna simulation that is god for video. There are some options given by its port, with an adaptor (though not added) able to convert the 2.5mm jack into a better criterion of 3.5mm one for microphones.
However with no video balance in neither the body nor lens, this isn’t a vlogging camera for walk around – that is there will be a need to use either a tripod or a gimbal to get footage that brings out shinning quality.
If you’re ready to embark on it, you can send a 10-bit 4:2:2 wave out to an outside recorder, but been realistic not several X100V holders engage in that. It’s equally shameful that the built-in ND filter, which you can engage in stills technique to assist get shots in bright sunlight when hitting the upper 1/4000 limit of its mechanical shutter, that isn’t available in video mode
Fujifilm X100V verdict
The Fujifilm X100V is the greatest compact camera in its class and an excellent street photography sidekick, but it’s necessary to have a knowledge of what to expect from it.
It’s not an all-rounder travel or point-and-shoot messiah, due to the fact that the X100V’s fixed focal range and insist on manual shooting make it a niche than that. Rather, it’s the perfect walk around camera for eager photographers that observes 23mm f/2 lens as a rescue instead of a frustrating constraint
If you can relate with this, then you are in the right path with this device. The X100V’s sloping screen makes it more flexible than any of its forerunner, its latest lens and sensor mixture gives the perfect images, and it’s weather-proof if you’re either careful or engage it with a filter. Overall, the device is an unbelievable fun to shoot with.
Several X100 possessor discover that this camera is more utilized than their allegedly ‘better’ major camera, due to the fact that its petite size exceeded its disadvantages. The cost of access is definitely at peak, but the X100V perfects this ploy more than any other fixed lens compact camera so far.
Ricoh GR III
For its street photography credentials, this is another compact camera that’s been admired overtime. The GR III is more portable than the X100V but essentially deficient of a viewfinder. Its Shake Reduction system, that is sensor-based image balance perfectly works well and is an advantage above its Fujifilm rival, however the battery time is adversely affected due to this. The X100V is the senior performer, which higher price tag is expected.